2024
artpress · December 2024 · no. 527 · p. 94 · Philippe Ducat
“He dissects both the contemporary and historical musical worlds with precision and erudition.”
Philippe DucatOriginal quotation
“Il décortique avec précision et érudition le monde musical aussi bien contemporain qu’historique.”
Original · 3 pages ↗2022
la Repubblica · Firenze · 24 August 2022 · Barbara Gabbrielli
“By reworking this precious material, I gave voice to our unconscious.”
Jacopo Baboni SchilingiOriginal quotation
“Nel rielaborare questo prezioso materiale ho dato voce al nostro inconscio.”
Original ↗2022
Arte e Arti Magazine · 18 May 2022 · Elena Pratesi
“Each of these impressions will be gathered and transformed into the voices of a single large installation.”
Elena PratesiOriginal quotation
“Ognuna di queste suggestioni sarà raccolta e trasformata nelle voci di un’unica grande installazione.”
Read in English ↗All documents · 4 pages
All four pages recovered from the original local PDF, including captions and project information.
Feature on Il Respiro dei sogni; all four pages of the original printout are available.
All archived pages (PDF) ↗ 
Original · 4 pages ↗2020
CHANEL Nexus Hall · Japanese press · 2019–2020 · exhibition: 15 January–16 February 2020
“Experience with all five senses thirty works the artist calls IDENTIGRAPHIES.”
Casa BRUTUS · English translation
Read in English ↗All documents · 4 pages
Media coverage dossier for Bodyscore — The Soul Signature at CHANEL Nexus Hall, Tokyo. Magazine coverage: Madame Figaro Japon, &Premium, Casa BRUTUS, ELLE Japon, VOGUE and AERA. Web coverage: Bijutsutecho, Vogue Japan, WWD, Openers, Tokyo Art Beat and Nikkei LUXE. The report also includes a social media overview.
Media coverage dossier [PDF · 4 pages] ↗ 
Original · 4 pages ↗2019
Amadeus · 2019 · Valentina Bonelli
“You cannot be an artist unless you can move between disciplines—and that is all the more true for us dancers.”
Marie-Agnès GillotOriginal quotation
“Non si è artisti se non si sa spaziare tra le discipline, e tanto più vale per noi ballerini.”
Original · 2 pages ↗2018
La Croix · 26 April 2018 · no. 41087 · Marion Mayer
“Through this work, I seek to share my emotional present.”
Jacopo Baboni SchilingiOriginal quotation
“Avec cette œuvre, je cherche à partager mon présent émotionnel.”
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The clipping carries a continuation marker “p. 28”; that continuation was not found in the supplied archive.
The clipping carries a continuation marker “p. 28”; that continuation was not found in the supplied archive.
Original ↗2018
Leggo · 2018 · issue date not visible
“Jacopo Baboni Schilingi · Identigraphies”
LeggoOriginal quotation
“Jacopo Baboni Schilingi · Identigraphies”
Read in English ↗All documents
Exhibition notice on the newspaper front page; this is a short notice, not a full-length review.
Exhibition notice on the newspaper front page; this is a short notice, not a full-length review.
Original ↗2018
Toute La Culture · 21 June 2018 · Yaël Hirsch
“Behind its machine-like sounds, the performance named after Ulysses’ dog is rooted in the very heart of the human: breath.”
Yaël HirschOriginal quotation
“Derrière ses sonorités de machines, la performance qui a le même nom que le chien d’Ulysse est donc plantée au cœur de l’humain : le souffle.”
Read in English ↗All documents · 3 pages
Three scans survive, numbered 1–3 of a seven-page printout. The available text has a gap between scans 2 and 3; the remaining printout pages were not found.
Three scans survive, numbered 1–3 of a seven-page printout. The available text has a gap between scans 2 and 3; the remaining printout pages were not found.
All archived pages (PDF) ↗ 
Original · 3 pages ↗2017
L’Œil · April 2017 · p. 117 · Fabien Simode
“In this infinitely poetic proposition, the roles are reversed: the ballet no longer illustrates the music; the music responds to the ballet.”
Fabien SimodeOriginal quotation
“Dans cette proposition d’une infinie poésie, les rôles sont inversés ; le ballet n’illustre plus la musique, c’est la musique qui répond au ballet.”
Read in English ↗All documents
The same clipping is filed under both 2017 and 2018; the printed issue date is April 2017.
The same clipping is filed under both 2017 and 2018; the printed issue date is April 2017.
Original ↗2017
Frigo · IUT Belfort–Montbéliard · Issue 32 · pp. 32–33 · year folder: 2017; issue date to verify · David Malsot
“Jacopo’s music is a constant search for innovation and depth.”
David MalsotOriginal quotation
“La musique de Jacopo est une recherche constante d’innovation et de profondeur.”
Original · 2 pages ↗2012
Amadeus · 2012 · Federico Capitoni
“The result, however, is striking.”
Federico CapitoniOriginal quotation
“Il risultato è però di grande effetto.”
Read in English ↗All documents
Review of De la nature du sacre, performed by the Quartetto Leonis at the Accademia di Santa Cecilia.
Original ↗2012
Corriere della Sera · Roma · 20 May 2012 · Luigi Bellingardi
“A brilliant interplay of interlocking sounds, in a kind of homage to Stravinsky and The Rite of Spring.”
Luigi BellingardiOriginal quotation
“Un brillante gioco di incastri sonori in una sorta di omaggio a Stravinsky e alla Sagra della primavera.”
Read in English ↗All documents
Review of the Quartetto Leonis and the premiere of De la nature du sacre at Santa Cecilia.
Original ↗2012
Il Giornale della Musica · May 2012 · Daniela Gangale
“Contemporary music, after all, has always been music of exploration.”
Jacopo Baboni SchilingiOriginal quotation
“La musica contemporanea, in fondo, è sempre stata musica di ricerca.”
Read in English ↗All documents
Interview and feature announcing a premiere by Baboni Schilingi at Santa Cecilia.
Original ↗2011
La Lettre du Musicien · 1–15 March 2011 · no. 399 · Anne-Cécile Worms
“My advice to young composers: write music you want to listen to!”
Jacopo Baboni SchilingiOriginal quotation
“Mon conseil aux jeunes compositeurs : écrivez une musique que vous avez envie d’écouter !”
Read in English ↗All documents · 2 pages
Both article pages (48–49) recovered from the full-resolution local archive.
Interview on composition, interactive models and electroacoustic teaching in Montbéliard.
All archived pages (PDF) ↗ 
Original · 2 pages ↗2009
Contemporary Music Review · Vol. 28, no. 2 · April 2009 · article pp. 181–191 · Jacopo Baboni Schilingi
“My attention is focused on the relation between local and global control.”
Jacopo Baboni Schilingi
Read in English ↗All documents
Only the opening page of the eleven-page research article is present in the supplied archive. The journal cover is retained separately.
Only the opening page of the eleven-page research article is present in the supplied archive. The journal cover is retained separately.
Issue cover / archive context ↗ 
Original ↗2009
L’Histoire · February 2009 · no. 339 · p. 29
“An exquisite and heartbreaking history of “ordinary things”, told without a word of commentary through the grace of editing and an original symphonic score composed by Jacopo Baboni Schilingi.”
L’HistoireOriginal quotation
“C’est une exquise et déchirante histoire des « choses banales », sans un mot de commentaire, racontée par la grâce du montage et d’une musique symphonique originale composée par Jacopo Baboni Schilingi.”
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The archived page contains several television notices. This entry concerns Sous les drapeaux only.
The archived page contains several television notices. This entry concerns Sous les drapeaux only.
Issue cover / archive context ↗ 
Original ↗2009
Publication to identify · Médias · 2009 · archived clipping · Jean-Claude Renard
“Henry Colomer offers a sumptuous history of the twentieth century through fabrics and clothing.”
Jean-Claude RenardOriginal quotation
“Henry Colomer livre une somptueuse histoire du XXe siècle à travers étoffes et vêtements.”
Read in English ↗All documents
Publication masthead is absent from this clipping. The source filename is not treated as reliable publication metadata.
Publication masthead is absent from this clipping. The source filename is not treated as reliable publication metadata.
Original ↗2009
L’Est Républicain · 12 December 2009 · A. L.
“It is a tribute to those who invented new compositional techniques and to the history of music.”
Jacopo Baboni SchilingiOriginal quotation
“C’est un hommage à ceux qui ont inventé des nouvelles techniques d’écriture et à l’histoire de la musique.”
Original ↗2009
TéléObs · 2009 · p. 30 · exact issue date not shown · Flore de Bodman
“Against a background of contemporary symphonic music composed by Jacopo Baboni Schilingi, “Sous les drapeaux” unfolds a succession of silent black-and-white archive images.”
Flore de BodmanOriginal quotation
“Sur fond de musique symphonique contemporaine composée par Jacopo Baboni Schilingi, « Sous les drapeaux » déroule une succession d’images d’archives muettes en noir et blanc.”
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This review occupies the lower part of a newspaper page; the unrelated Amazon documentary review is retained in the scan but excluded from the translation.
Review of Henry Colomer’s Sous les drapeaux and its original score by Jacopo Baboni Schilingi.
Original ↗2008
Le Pays · 16 September 2008 · documentation stamp · A. R.
“The CAPM hall in Montbéliard will be entirely taken over, immersing the audience in the heart of sound.”
Le PaysOriginal quotation
“Le hall de la CAPM sera entièrement investi à Montbéliard, plongeant ainsi le public au cœur du son.”
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The date is the archive documentation stamp; the exact publication date should be verified.
The date is the archive documentation stamp; the exact publication date should be verified.
Original ↗2008
Dernières Nouvelles d’Alsace · 4 November 2008 · Jean-Michel Lahire
“As for the music, it was specially composed by the young Italian composer Jacopo Baboni-Schilingi.”
Jean-Michel LahireOriginal quotation
“Quant à la musique, elle a été spécialement composée par le jeune compositeur italien Jacopo Baboni-Schilingi.”
Original ↗2007
La Croix · 25 April 2007 · Marie-Valentine Chaudon
“Sound also contributes to the film’s poetic force, cradled by previously unreleased music by Jacopo Baboni Schilingi.”
Marie-Valentine ChaudonOriginal quotation
“Le son contribue également à la force poétique du film, bercé par la musique inédite de Jacopo Baboni Schilingi.”
Original ↗2006
L’Est Républicain · Filed under 2006 · archive stamp reads 15 June 2008; date to verify · S. D.
“The spectator is at the heart of composition, music and sound.”
S. D.Original quotation
“Le spectateur est au cœur de la composition, de la musique et du son.”
Read in English ↗All documents
The year folder and documentation stamp disagree; the original issue date is not established.
The year folder and documentation stamp disagree; the original issue date is not established.
Original ↗2006
Le Nouvelliste · 2 February 2006 · p. 28 · Emmanuel Manzi
“A performance that is half technological, half human.”
Emmanuel ManziOriginal quotation
“Une performance mi-technologique, mi-humaine.”
Original ↗2005
L’Est Républicain · 21 July 2005 · front-page notice
“A new work by composer Jacopo Baboni Schilinghi for voice and electronics.”
L’Est RépublicainOriginal quotation
“Une création du compositeur Jacopo Baboni Schilinghi pour voix et électronique.”
Original ↗2004
Art Actuel · Filed under 2004 · issue details not visible
“Three interactive terminals allowed spectators…”
Art ActuelOriginal quotation
“Trois bornes interactives permettaient aux spectateurs…”
Read in English ↗All documents
Only a cropped continuation survives. Its title and some sentences are cut off; the descriptive title is editorial.
Only a cropped continuation survives. Its title and some sentences are cut off; the descriptive title is editorial.
Issue cover / archive context ↗ 
Original ↗2003
Corriere della Sera · Filed under 2003 · original filename says 2002; issue date to verify · Enrico Girardi
“Among the emerging musicians under forty, the thirty-one-year-old Jacopo Baboni Schilingi, a refined musician, has gained recognition.”
Enrico GirardiOriginal quotation
“Tra i giovani emergenti, gli under 40, godono di notorietà il 31enne Jacopo Baboni Schilingi, musicista raffinato.”
Read in English ↗All documents
Conflicting year information is retained rather than silently resolved.
Conflicting year information is retained rather than silently resolved.
Original ↗2003
Il Giornale della Musica · July–August 2003 · no. 195 · Jacopo Baboni Schilingi
“For me, Berio was the Master who taught me always to dream and never to give up.”
Jacopo Baboni SchilingiOriginal quotation
“Berio è stato, per me, quel Maestro che mi ha insegnato a sognare sempre e a non desistere mai.”
Original ↗2003
Puissance 29 · January 2003 · Kamel Ayeb
“Together, they explore every facet of sound, combining computer technology with traditional instrument-making.”
Kamel AyebOriginal quotation
“A eux deux, ils explorent toutes les facettes du son en mêlant l’outil informatique et la lutherie traditionnelle.”
Original ↗2002
la Repubblica · 30 October 2002 · Luigi Di Fronzo
“An intimate piece written in 1999.”
Luigi Di FronzoOriginal quotation
“Un pezzo intimista scritto nel 1999.”
Read in English ↗All documents
Concert coverage of the Arditti Quartet, including music by Baboni Schilingi.
Original ↗2002
El Porvenir · 8 February 2002 · José de la Paz Gómez
“Through which emotions can also be awakened.”
Miguel ChevalierOriginal quotation
“Por medio de la cual también se pueden despertar emociones.”
Read in English ↗All documents
Coverage of Metápolis at MARCO, Monterrey, with Miguel Chevalier, Jean-Pierre Balpe and Jacopo Baboni Schilingi.
Original ↗2001
Il Giornale della Musica · March 2001 · no. 169 · Jacopo Baboni Schilingi
“A man of cross-disciplinary culture: musician, intellectual, mathematician, philosopher and engineer.”
Jacopo Baboni SchilingiOriginal quotation
“Uomo di cultura trasversale, musicista, intellettuale, matematico, filosofo ed ingegnere.”
Original ↗2000
Corriere della Sera · 17 December 2000 · Valerio Cappelli
“But to prepare tomorrow’s audience, to take the first step towards developing a more open and dynamic taste and expressive horizon.”
Valerio CappelliOriginal quotation
“Ma preparare il pubblico di domani, fare il primo passo per creare un gusto e un orizzonte espressivo più aperto e dinamico.”
Read in English ↗All documents
Feature on Tempo Reale’s music education work with children, including Jacopo Baboni Schilingi’s contribution.
Original ↗2000
Saarbrücker Zeitung · 5 June 2000 · no. 129 · p. 17 · Wibke Bantelmann
“Above all, Jacopo Baboni Schilingi’s “Il colore del rosso” was a pleasure to the ears.”
Wibke BantelmannOriginal quotation
“Vor allem Jacopo Baboni Schilingis „Il colore del rosso“ schmeichelte den Ohren.”
Read in English ↗All documents
Festival review including the premiere of Il colore dei rosso. Original spelling is retained in the source.
Festival review including the premiere of Il colore dei rosso. Original spelling is retained in the source.
Original ↗2000
Regional newspaper · publication to verify · December 2000 · archived with Interférences material
“An encounter at the forefront of contemporary creation.”
Regional newspaper · publication to verifyOriginal quotation
“Une rencontre à la pointe de la création contemporaine.”
Read in English ↗All documents
Festival coverage from the Interférences project documents; masthead and original date are absent.
Festival coverage from the Interférences project documents; masthead and original date are absent.
Original ↗1998
ScuolAmadeus · 1998 · year annotated on the archived scan · Nicoletta Lucatelli
“Promoting both collective and individual learning in music.”
Jacopo Baboni SchilingiOriginal quotation
“Promuovere un apprendimento collettivo e individuale della Musica.”
Read in English ↗All documents
Feature on music education at Tempo Reale and an interview with Jacopo Baboni Schilingi. A second scan was filed under 1999; both represent the same article.
Original ↗1998
SVM Mac · February 1998 · no. 92 · p. 130 · Françoise Derollepot
“When the Web opens up to the festival of possibilities created by generative literature.”
Françoise DerollepotOriginal quotation
“Quand le Web s’ouvre au festival des possibles créé par la littérature générative.”
Original ↗1996
Music periodical · publication to verify · Filed under 1996 · exact publication date to verify
“Making the different musical parameters of a composition interact with one another.”
Jacopo Baboni SchilingiOriginal quotation
“Fare interagire fra di loro i diversi parametri musicali di una composizione.”
Read in English ↗All documents
Article opening and masthead are cropped; the descriptive title is editorial.
Article opening and masthead are cropped; the descriptive title is editorial.
Original ↗1995
Virtual · December 1995 · Paolo Grespi
“A new form of performance in which spectators, through their physical presence and movements, influence the dynamics of sound, light and image.”
Paolo GrespiOriginal quotation
“Una nuova forma di spettacolo in cui sono gli spettatori, con la loro presenza fisica e i loro movimenti, a influenzare la dinamica del suono, della luce e dell’immagine.”
Read in English ↗All documents
Only a continuation page survives; the original headline and previous pages are absent. Descriptive title supplied for navigation.
Only a continuation page survives; the original headline and previous pages are absent. Descriptive title supplied for navigation.
Original ↗1993
Music periodical · publication to verify · 1993 · issue details absent
“Winners of the selection process at the prestigious Parisian institute.”
Music periodical · publication to verifyOriginal quotation
“Vincitori della selezione del prestigioso istituto parigino.”
Read in English ↗All documents
The interview is cropped at column boundaries and at its end; only the available passages survive.
The surrounding page also contains unrelated notices, retained in the original scan.
Original ↗1992
Trieste Oggi · 4 July 1992
“The jury awarded second place to Jacopo Baboni Schilinge, from Cernusco sul Naviglio.”
Trieste OggiOriginal quotation
“Il secondo posto è stato assegnato dalla giuria a Jacopo Baboni Schilinge, di Cernusco sul Naviglio.”
Original ↗1992
Pavia newspaper · publication to verify · 12 May 1992 · p. 27
“Third place went to “Shift for B-flat clarinet” by Jacopo Baboni Schilingi.”
Pavia newspaper · publication to verifyOriginal quotation
“Terzo a «Shift per clarinetto in si-b» di Jacopo Baboni Schilingi.”
Read in English ↗All documents
The archived clipping is cut off at its edges and continues beyond the available scan.
The archived clipping is cut off at its edges and continues beyond the available scan.
Original ↗1991
Newspaper · publication to verify · 1991 · archived clipping · v. p.
“The second piece on the programme is “Quartetto” by Baboni Schilingi, a young composer whose work draws on the latest avant-garde experimentation.”
v. p.Original quotation
“Il secondo brano in programma è «Quartetto» di Baboni Schilingi, giovane compositore che si allaccia alle più recenti sperimentazioni d’avanguardia.”
Read in English ↗All documents
The start of the headline is missing from the clipping.
The start of the headline is missing from the clipping.
Original ↗1991
Corriere della Sera · 1991 · archived clipping
“Last night, the Coinema percussion quartet performed modern music, including an avant-garde piece by J. Baboni Schilingi conducted by Wally Pituello.”
Corriere della SeraOriginal quotation
“Ieri sera il quartetto di percussionisti «Coinema» ha eseguito musiche moderne, con un brano d’avanguardia di J. Baboni Schilingi diretto da Wally Pituello.”
Read in English ↗All documents
Headline and article are cropped at the right edge; the surviving clipping includes the reference to Coinema.
Headline and article are cropped at the right edge; the surviving clipping includes the reference to Coinema.
Original ↗1991
Corriere della Sera · 1991 · archived clipping
““Quartetto” by the young composer Baboni Schilingi, a piece that draws on the most advanced avant-garde experimentation.”
Corriere della SeraOriginal quotation
“«Quartetto» del giovane compositore Baboni Schilingi, brano che si allaccia alle più avanzate sperimentazioni d’avanguardia.”
Original ↗1991
Newspaper · publication to verify · 1991 · archived clipping
“The programme includes Tierkreis by K. H. Stockhausen, Music for Pieces of Wood by S. Reich and Quartetto by J. Baboni Schilingi.”
Newspaper · publication to verifyOriginal quotation
“In programma Tierkreis di K. H. Stockhausen, Musik for pieces of wood di S. Reich e Quartetto di J. Baboni Schilingi.”
Original ↗1987
Il Sole 24 Ore · 5 July 1987 · Gian Maria Dossena
“The protagonists are very young musicians, such as Jacopo Baboni, a sixteen-year-old composer.”
Gian Maria DossenaOriginal quotation
“Protagonisti musicisti giovanissimi, come Jacopo Baboni, compositore sedicenne.”
Read in English ↗All documents
Review of the Musica Oggi series at Teatro delle Erbe, Milan. Includes a brief mention of the sixteen-year-old composer Jacopo Baboni.
Original ↗No matching articles. Try another keyword or year.
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